History History 6 min read

Who could hate these songs?

What Sinatra and Slash confessed: Artists who disliked their biggest hits

Image: Panos Sakalakis

The evidence piles up and confirms it: Most artists grow tired of their biggest hits. Sure, maybe the initial charm of one’s own song wears off after playing it regularly for decades. But some bands and artists have been quoted calling their own creations "terrible" and promising they would get off stage if someone asked them to play them. Surely, though, no one could hate "Strangers in the Night", don’t you think? Let’s explore what the artists behind these 10 hits songs feel about them years later.

1
We Didn’t Start the Fire

Image: Dane Deaner

Although Billy Joel is one of America’s favorite songwriters, he is often very vocal about pointing out the flaws he finds in his early hits. He even found fault with the timeless " Piano Man, " which earned him his nickname, due to a melody he finds repetitive and lyrics he compares to limericks.

He assures that he doesn’t hold grudges against his own songs, but he did point out that he thought the melody of "We Didn’t Start the Fire" was "terrible" and compared it to a dentist’s drill . He says the only redeeming quality of that song is the lyrics—those famous rapid-fire lists of historical events from the ‘40s to the ‘80s.

2
Shiny Happy People

Image: Nathan Dumlao

R.E.M. created "Shiny Happy People" with a satirically overly positive tone . It was a hit back in the ‘90s upon its release, but it always remained a bit of an oddball in the band’s otherwise more introspective and serious records.

The cheerful tune has been quoted endlessly in movies and TV shows. Even the sitcom Friends considered making it its theme song! But singer Michael Stipe expressed little love for what he called "a bubblegum pop song." Stipe went as far as to say that he "hates" the song and sees it as a fluke rather than a reflection of the band’s work. Although other members are less critical, the consensus is that "Shiny Happy People" is not R.E.M.’s proudest achievement.

3
Smells Like Teen Spirit

Image: Firmbee.com

Nirvana’s breakthrough hit, "Smells Like Teen Spirit," is often credited with launching the grunge movement and bringing alternative rock into the mainstream. The song's catchy riff and cryptic lyrics became an anthem of frustration and angst in the youth of the ‘90s. But Kurt Cobain, Nirvana's frontman, quickly grew to resent the famous song.

In a 1993 interview, staying true to his grunge persona, Cobain declared: "I can barely, especially on a bad night, get through ‘Teen Spirit.’ I literally want to throw my guitar down and walk away." He said he felt the song was too "mainstream" and polished, and nothing like the gritty authenticity he had envisioned for Nirvana—something that shone through in the band’s less popular work.

4
What’s Love Got to Do with It

Image: Pixabay

"What’s Love Got to Do with It" was first offered to Donna Summer, but it was Tina Turner who made history with it in the ‘80s. Initially, though, she thought it wasn’t the right track for her. She once confessed: "I didn’t like it at first. It was a pop song. I’m a rock ’n’ roll singer. "

However, her manager convinced her to record it. Her reluctance was such that she only did a few takes of it, convinced it would be a filler track in her album. We now know how wrong she was. The hit ended up redefining her career, so successful that it inspired the title of her 1993 biographical film, starring Angela Bassett as her.

5
(You Gotta) Fight for Your Right (to Party!)

Image: Colourblind Kevin

You would think that the satirical tone of this song would be obvious. It’s not hard to tell that the flatly yelled-out lyrics about hard-partying youth were poking fun at the frat culture of the time. But the joke went over many people’s heads, and it became an anthem of sorts for the culture it meant to make fun of.

This irritated the Beastie Boys, particularly because the song became their breakout hit. Band member Adam Yauch explained that the whole song was "a joke that got out of hand." They felt the song misrepresented their style, which is why they avoided playing it live in later years.

6
Strangers in the Night

Image: Ethan Rougon

Frank Sinatra did not shy away from expressing his distaste for one of his biggest hits. He disliked "Strangers in the Night" from the start, explaining to the writer that he didn’t like the lyrics and requesting that they be changed. But the process was rushed, and he had to record the version as it was. It became an instant award-winning, chart-topping hit.

Still, the singer despised it. He reportedly muttered disparaging comments about it during live performances. People speculated that his famous addition of the scat "doo-be-doo-be-doo" was a spontaneous attempt to add some grace to a song he was so tired of.

7
Dream On

Image: Rombo

"Dream On" was a major hit for Aerosmith and helped the band’s career skyrocket in the ‘70s. It was written by lead singer Steven Tyler long before Aerosmith had formed or signed any record deal: He was 18 years old when he finished writing it. But years later, after the band recorded it, guitarist Joe Perry, in his words, "wasn’t crazy about it" for a long time.

He mentioned in interviews that the song was too soft and slow compared to the rock music he wanted to be playing. He admitted that he would have preferred that the band triumph with a more hard-core rock song, but wasn’t too sad about it, because, as he said, "a hit is a hit."

8
Under the Bridge

Image: Roberto Nickson

"Under the Bridge" is a soft, personal song that stands out in the repertoire of Red Hot Chili Peppers. According to the legend, the album’s producer discovered lead singer Anthony Kiedis’ poem about walking around L.A. when he was feeling down. The producer insisted that the lyrics were worthy of a song, and soon the whole band helped finish arranging it.

But Kiedis wasn’t so excited about sharing such an introspective song. In his memoir book, he shared that sharing such an intimate, contemplative song made him feel vulnerable, and felt it was too personal to perform on stage. This caused the band some trouble over the years, as fans always had something to say when the band skipped the song during performances.

9
Where Did Our Love Go

Image: Angelina Yan

Before "Where Did Our Love Go" was released, The Supremes were struggling to break into the mainstream. Their label had started referring to them as the "no-hit Supremes." To make matters worse, the trio didn’t like this particular low-energy song and thought nothing would come of it. But the relatable lyrics, amped by Diana Ross's lead vocals, transformed the song into a No. 1 hit on the Billboard Hot 100.

Before this, the group was used to performing upbeat, high-energy songs, like "Buttered Popcorn" or "I Want a Guy." In comparison, their first hit had a subdued tempo and a different identity. But, as producers had expected, the song worked. The Supremes went on to become the best-charting female group in history!

10
Sweet Child O’ Mine

Image: Jay Wennington

"Sweet Child O’ Mine" was written by Guns N’ Roses' lead vocalist Axl Rose about his then-girlfriend Erin Everly. The song was originally created from a simple guitar riff by Slash, which he had come up with during a jam session. It went on to become a No. 1 hit on the Billboard Hot 100.

But guitarist Slash was never a huge fan of the song. He admitted that his famous riff was okay, but that the whole song felt like it belonged to another band’s style, not theirs. Of course, the general audience loved it and it became a huge hit compared to their hard rock songs. Over time, though, Slash grew to love it because of the immense impact it had on Guns N’ Roses’ career.

History History 7 min read

Full story

Who was Uncle Sam before the famous poster? The mystery revealed

Image: Cory Woodruff

You know Uncle Sam's face from posters, coins, and cartoons, but did you know he started out as a real meatpacker from Troy, New York, stamping beef barrels with two letters that changed everything? Long before the stern man in stars and stripes pointed his finger at you, he wore patchwork clothes, borrowed his pose from a British general, and even helped sell war bonds through baseball. Ten surprising moments shaped the Uncle Sam you know today, and a few of them might genuinely catch you off guard.

1
A meatpacker from Troy sparks a nickname

Image: National Archives at College Park, Public domain, via Wikimedia Commons

In 1812, while the country was at war with Britain again, soldiers stationed near Troy, New York, needed to eat. A local businessman named Samuel Wilson, who ran a meatpacking company with his brother Ebenezer along the Hudson River, won a contract to supply barrels of beef and pork to the army.

Wilson stamped every barrel "U.S." for United States, but around town he was already known by a friendlier name, Uncle Sam, for being an honest and generous employer to the many workers who passed through his docks. Soldiers saw the initials, heard the nickname, and started joking that their rations came courtesy of "Uncle Sam" himself. What started as a joke stuck, and local newspapers quickly picked it up, marking the first step in Uncle Sam’s story.

2
A patchwork figure before the patriotic suit

Image: Rosemarie Mosteller

Before Uncle Sam wore his familiar star-spangled coat, he looked more like any other fisherman.

The earliest known drawing of him appeared in the New York Lantern in 1852 , decades after Samuel Wilson first earned the nickname back in Troy. In that cartoon, he had no top hat, no red and white stripes, nothing close to what you would recognize today. Early illustrators dressed him in rustic, everyday clothes, sometimes patchwork, because he was meant to represent the common American, not a polished symbol of government sitting in an office. It took years of cartoonists experimenting, borrowing bits from other figures and dropping others, before Uncle Sam’s look settled into anything close to consistent.

3
The Civil War gives him his iconic aesthetic

Image: Bibliothèque nationale de France, Public domain, via Wikimedia Commons

During the Civil War, Uncle Sam needed to do more than represent the country. He needed to rally it. Editorial cartoonists of the era, most famously Thomas Nast at Harper’s Weekly , reworked him into someone sharper and more commanding , trading the rustic patchwork look for a tall, lean man with a top hat and striped trousers.

Nast used Uncle Sam to speak for the Union cause and to argue for keeping the country unified, at a time when families followed the war through newspaper cartoons the way we now follow headlines on our phones. This version of Uncle Sam, dignified rather than folksy, laid the groundwork for the figure who would later stare down at millions of Americans from recruitment posters, decades before that poster was ever drawn.

4
Uncle Sam becomes a tool of political satire

Image: Udo Keppler, Public domain, via Wikimedia Commons

By the turn of the 20th century, Uncle Sam had developed a new side: he could make a political argument without saying a word.

As the United States expanded overseas after the Spanish-American War, cartoonists used his body, clothes, and size to debate what that expansion meant. Around 1900, in J.S. Pughe’s cartoon "Declined with thanks," an oversized Uncle Sam gets measured for an ever bigger suit, a visual joke about the country’s growing territorial expansion. The joke was visual, but the issue was serious. Uncle Sam had become a flexible political weapon, useful both to supporters and critics of American power. The character could literally grow as the nation grew, making him ideal for newspaper satire.

5
A British general points the way first

Image: Alfred Leete, Public domain, via Wikimedia Commons

Here’s the twist most people don’t know about: That famous pointing finger, the one every American associated with Uncle Sam, was not originally American at all.

In 1914, as Britain entered World War I, illustrator Alfred Leete created a recruitment poster showing Lord Kitchener, Britain’s Secretary of State for War, pointing directly at the viewer above the words: "Britons: Join Your Country’s Army." The poster ran on magazine covers and street corners across the country and became one of the most talked-about images of the war’s early days. A few years later, on the other side of the Atlantic, an American artist would study that same commanding pose and realize it was exactly what his own country needed to put on paper.

6
An artist paints himself into history

Image: Arnold Genthe, Public domain, via Wikimedia Commons

That American artist was James Montgomery Flagg, a well-known illustrator commissioned by the Committee for Public Information to create a recruitment poster for WWI in 1917.

The plan was simple: echo the Kitchener pose with an American face. There was just one problem: the model scheduled to sit for the painting never showed up that day. Rather than waste the afternoon, Flagg propped up a mirror in his studio and used his own reflection, adding a goatee and white hair to age himself into the role of Uncle Sam. The result, "I Want You for U.S. Army," turned out to be the defining image of Uncle Sam for generations, all because one artist got impatient and decided not to wait around for someone else to show up.

7
A single poster printed over four million times

Image: ZikG

Numbers rarely tell a full story, but this one comes close. Between 1917 and 1918, Flagg’s Uncle Sam poster was printed more than four million times, plastered across train stations, storefronts, and town squares nationwide, often right next to enlistment tables.

It pushed Americans to sign up for service, to buy Liberty Bonds, and to see the war as something that involved them personally, not just the soldiers overseas. Few pieces of American graphic design have ever reached that scale of distribution, and fewer still have stayed recognizable a century later. If you have ever seen a Halloween costume, a magazine cover, or a protest sign featuring that pointing finger, you have already seen Flagg's poster still at work.

8
Uncle Sam trades his rifle for a baseball bat

Image: Rosemarie Mosteller

Not every wartime appearance of Uncle Sam involved a battlefield. Illustrators found plenty of other uses for his familiar face between 1917 and 1918, some of them surprisingly playful.

J.C. Leyendecker drew him swinging a baseball bat under the slogan "Get in the Game," nudging Americans toward the war effort through a sport nearly everyone already loved on weekend afternoons. Flagg himself created a gentler image of Uncle Sam with his arm around a horse, part of a campaign asking Americans to support the care of military animals overseas. These lighter, unexpected adaptations remind us that propaganda during that era was not only about urgency; it also leaned on familiarity and warmth to make its point stick.

9
Pearl Harbor brings the same face back

Image: Karolis Kavolelis

When Japan attacked Pearl Harbor in December 1941, the country needed a rallying image fast, and rather than starting from scratch, officials reached for something already proven.

Flagg’s 1917 interpretation was dusted off and reprinted by the millions once again, this time for WWII enlistment drives and home front civil defense campaigns. The same stern face that had once urged an earlier generation to sign up was now doing the job all over again for their sons, appearing on posters in recruiting offices, factories, and post offices nationwide. By the 1940s, he was more than a wartime recruiting figure. He was a shorthand symbol for the federal government and the country itself.

10
From wartime symbol to modern canvas

Image: US Census Bureau, Public domain, via Wikimedia Commons

Uncle Sam did not retire once the World Wars ended. In the decades since, he has become something closer to a blank canvas that each generation paints over with its own concerns.

During the Vietnam era, protest artists twisted his familiar pose into pointed criticism of the very government he once represented so simply, using his own famous finger to accuse instead of recruit. Political cartoonists continue to reach for him today, whether the topic is an election, a policy debate, or a national controversy, counting on readers to instantly recognize who he stands for. Few American symbols have proven so adaptable, stretched and reshaped again and again across more than two centuries, yet somehow always recognizable the moment that pointing finger appears.

General General 4 min read

Vertical ambitions

Bigger, taller, and better: 12 skyscrapers that make you look up!

Image: Denil Dominic

Have you ever stared up at a skyscraper and wondered, "How did they even build that?" Well, that makes at least two of us! Tall buildings are architectural marvels indeed, but they also represent ambition, innovation, and a little friendly competition between cities. For example, the tallest building in our country has held that title for only a decade. However, skyscrapers aren’t the only remarkable structures, and we’ve gathered 12 of them here for you to enjoy some sky-high fun. So, buckle up, and let’s take a vertical journey through the country’s highest achievements !

1
One World Trade Center

Image: David Vives

At a symbolic 1,776 feet, One World Trade Center proudly stands as America’s tallest building . Rising from the ashes of tragedy, this New York City landmark is a testament to resilience and unity.

Completed in 2014, it has been affectionately nicknamed the "Freedom Tower." Its sleek design features reflective glass that mirrors the sky, creating an ever-changing facade. The building houses offices, observation decks, and a museum dedicated to 9/11. Simply beautiful!

2
Central Park Tower

Image: Mason C

Central Park Tower, the world’s tallest residential building , reaches 1,550 feet into Manhattan’s skyline. Completed in 2020, it’s sometimes called the "Billionaires’ Row Tower" for its ultra-luxury apartments.

This architectural masterpiece offers jaw-dropping views of Central Park and beyond. It’s not just tall; it’s opulent, with a private club, pools, and even its own ballroom. If you’ve ever dreamed of living among the clouds, this is the place to do it (if you can afford it, of course).

3
Willis Tower

Image: Margo

Chicago’s Willis Tower, formerly known as the Sears Tower, was the world’s tallest building for 25 years (we did say there was some friendly competition going on!). Its 1,451-foot height dominates the skyline and has been a beacon of innovation since 1973.

The building’s unique design uses nine bundled tubes for extra stability against those famous Chicago winds. Visitors can step out onto The Ledge, a glass box extending from the 103rd floor, for a heart-pounding view. A true Midwestern marvel!

4
111 West 57th Street

Image: Parrish Freeman

Known as the "Steinway Tower," this ultra-skinny skyscraper is as much art as architecture. Rising 1,428 feet above Manhattan, it’s the thinnest skyscraper in the world and the fourth tallest in our country.

Its design nods to New York’s Jazz Age glamour, blending terracotta details with modern engineering. Completed in 2022, it houses luxury apartments that come with breathtaking views and equally jaw-dropping price tags.

5
One Vanderbilt

Image: Lukas Kyzur

Standing 1,401 feet tall, One Vanderbilt is a relatively new addition to New York City’s skyline. Completed in 2020, it’s located right next to Grand Central Terminal .

The building’s futuristic design is matched by its cutting-edge features, including Summit One Vanderbilt, an immersive observation experience. Its elevators take you to the top in a flash, and once you’re there, you’ll be treated to sweeping views of the city.

6
432 Park Avenue

Image: Miikka A.

At 1,396 feet, 432 Park Avenue is all about modern simplicity . Completed in 2015, it is one of the most recognizable buildings in the world.

ts grid-like windows give it a timeless look, but don’t be fooled—the apartments inside scream luxury. With amenities like private dining rooms and a spa, residents live the high life, pun intended! Love it or hate it, you can’t miss it.

7
Trump International Hotel and Tower

Image: Kenny Eliason

Chicago’s Trump Tower, standing 1,388 feet tall, is a gleaming addition to the city’s skyline . Completed in 2009, its reflective surface mirrors the surrounding beauty of the Chicago River.

This skyscraper combines luxury residences, a hotel, and fine dining. Its signature feature is the outdoor terrace, which offers stunning views of the Windy City.

8
30 Hudson Yards

Image: Frank Nürnberger

At 1,268 feet, 30 Hudson Yards is the centerpiece of New York’s futuristic Hudson Yards development.

Completed in 2019, it’s home to The Edge, the Western Hemisphere’s highest outdoor sky deck . The building boasts offices, dining, and even direct access to a luxury mall. Its sleek design symbolizes the city’s constant evolution. It has it all—just like the city itself!

9
Empire State Building

Image: Chris Barbalis

This may not be the tallest, but it certainly is one of the most iconic! The Empire State Building, at 1,250 feet, is a timeless symbol of New York City.

Completed in 1931 during the Great Depression , it was once the world’s tallest building. Its Art Deco design and iconic silhouette have graced countless movies and postcards. The city views it offers are simply unbeatable. No trip to New York is complete without a visit.

10
Bank of America Tower

Image: David Vives

Rising 1,200 feet in Midtown Manhattan, the Bank of America Tower is a green marvel. It was completed in 2010 and is one of the world’s most eco-friendly skyscrapers .

It uses innovative technology to reduce energy consumption and even collects rainwater. With its sharp, crystalline design, it looks as modern as its environmental features. This tower shows that sustainability and style can go hand in hand. Who knew going green could look so good?

11
St. Regis Chicago

Image: Andrew LaDeur

At 1,191 feet, the St. Regis Chicago adds a touch of elegance to the city’s skyline. Completed in 2020, its design is inspired by a flowing river , with undulating glass panels that shimmer in the sunlight. It’s a mix of hotel and residential spaces, with luxury oozing from every corner.

The building’s unique silhouette stands out in the architectural playground that is Chicago. If beauty were a competition, this skyscraper would be a top contender.

12
Aon Center

Image: Erol Ahmed

The Aon Center, at 1,136 feet, is a classic fixture in Chicago’s skyline. Built in 1973, it was originally clad in white marble, though granite replaced it later for durability. Its clean, rectangular design exudes timeless elegance.

Home to offices and observation areas , it’s a favorite among architecture lovers. You know how they are all about simplicity— the ultimate form of sophistication!

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