1

The Searchers

Image: Tobias Keller

We’ll begin with what many critics believe to be the best Western ever made. Not only that: this 1956 movie is considered among the 100 best American films of all time, and it was selected for preservation in its National Film Registry in 1989. John Ford’s masterpiece truly marked a turning point in the history of the genre and influenced an entire generation of American filmmakers.

2

"The Searchers" stars John Wayne as Ethan Edwards, a Civil War veteran who searches for his abducted niece all throughout Texas and New Mexico. The gorgeous shots in Technicolor (a huge leap at the time) helped cement this Western as a completely revolutionary film.

3

The Good, the Bad and the Ugly

Image: Scott Warman

The archetypical example of the subgenre known as "Spaghetti Western", this 1966 Sergio Leone film tells the story of three gunslingers competing to find a hidden treasure amid the chaos of the Civil War. The three characters’ personalities are more than the traits described in the film’s title: "The Good", Clint Eastwood’s character, is definitively more of an antihero than a regular protagonist.

Considered by many to be Leone’s masterpiece, "The Good, the Bad and the Ugly" is a tension-filled, thrilling experience , and credited with launching an American icon like Eastwood to stardom.

4

The Quick and the Dead

Image: Taylor Brandon

Few Westerns feature female gunslingers , so let’s take a second to showcase an excellent example. The 1995 movie "The Quick and the Dead" tells the story of "The Lady", an unnamed gunfighter who enters a deadly tournament to face off against an outlaw-turned-mayor named Gerrod, played by the iconic Gene Hackman.

Sharon Stone plays an extremely compelling protagonist, driven only by the desire to avenge the death of her father. The film features a star-filled cast , including Russel Crowe, Keith David, and then-newcomer Leonardo Di Caprio.

5

True Grit

Image: Taylor Brandon

Sharon Stone’s "The Lady" is not the only strong female lead on this list. Granted, the character of Mattie Ross in the 1969 classic "True Grit" is only a young girl, but don’t be fooled by her age: Mattie is a strong and determined character, hell-bent on apprehending the man responsible for her family’s death.

"True Grit" is also responsible for bringing us one of the most amazing cowboys ever portrayed on film. John Wayne’s legendary depiction of U.S. Marshal Rooster Cogburn earned him a well-deserved Oscar.

6

Stagecoach

Image: Maddy Weiss

Considering our entry on "The Searchers", it probably won’t surprise you to learn that John Ford’s contributions to Westerns are incommensurable. In that sense, considering his 1939 film "Stagecoach" as anything other than groundbreaking would be a massive disservice to the entire genre.

This movie’s revolutionary shots and character development helped the film industry take a huge leap forward. Not only that, this movie stars John Wayne in his breakthrough role.

7

The Treasure of the Sierra Madre

Image: Stefan Münz

Legendary actor Humphrey Bogart is not particularly remembered as a Western actor: In fact, he only starred in two movies of the genre. However, the 1948 film "The Treasure of the Sierra Madre", which stars Bogart as drifter Fred C. Dobbs, is considered an absolute Western treasure (no pun intended) and was selected for preservation by the Library of Congress.

The film focuses on Dobbs and fellow drifter Bob Curtin, played by Tim Holt who, along with an old prospector, try to make a living searching for gold in Mexico.

8

The Man Who Shot Liberty Valance

Image: Luis Domenech

The 1962 film "The Man Who Shot Liberty Valance" begins with the funeral of a seemingly unimportant cowboy named Tom Doniphon which is attended by a powerful and influential U.S. senator. What follows is the retelling of an unusual friendship between two men, and their unyielding fight for justice.

This film holds the honor of being the very first film that starred both John Wayne and James Stewart. Under the direction of John Ford, these two acting juggernauts truly gave an unforgettable performance.

9

Butch Cassidy and the Sundance Kid

Image: JosephHershMedia

Nowadays, the subgenre of a buddy film seems almost exclusively reserved for cop movies: Think about movies like "Lethal Weapon" or "Bad Boys". However, the 1969 Western "Butch Cassidy and the Sundance Kid" is an outstanding addition to the buddy film subgenre, since it focuses on the adventures of this iconic gunslinging duo.

The movie describes the adventures of these two train robbers, wonderfully portrayed by Robert Redford and Paul Newman, who are trying to escape the law and flee to South America. It was awarded for Oscars, including "Best Story" and "Best Cinematography".

10

Unforgiven

Image: Karsten Winegeart

Besides avenging a loved one or escaping a corrupt sheriff, another powerful staple of the Western genre is the repentant outlaw trying to make amends with his past. In that sense, Clint Eastwood’s 1992 film "Unforgiven" combines both classic elements of the genre, while still providing a refreshing and innovative perspective.

The movie tells the tale of William Munny, an aging and retired outlaw who decides to take on one last job. Portrayed by Eastwood , Munny’s adventures take him on a violent path, seeking a cruel and dangerous cowboy named "Quick Mike".

11

The Magnificent Seven

Image: Priscilla Du Preez 🇨🇦

We’ll finish this list with one of the most innovative and daring entries to the Western genre. John Sturges’ "The Magnificent Seven" is an Old West remake of a Japanese movie, Kurosawa’s "Seven Samurai". Featuring an ensemble of legendary leads like Yul Brynner and Steve McQueen (The "King of Cool" himself!), this iconic film is to this day considered one of the very best Western films of all time.

The story centers around the titular "Magnificent Seven", a group of gunfighters hired to protect a small Mexican village from a group of bandits led by Eri Wallach, another heavy-hitter of the Western genre. It received an Academy Award for Best Score, and it was included in the National Film Registry by the Library of Congress.

1

Snap the Whip - 1872

Image: Winslow Homer, CC0, via Wikimedia Commons

Winslow Homer was a self-taught artist from Boston, best known for his Civil War paintings, which he created at the request of Harper's Weekly magazine. But after the war, Homer moved to a totally different subject matter: childhood. The artist painted the life of American children as a world unto itself, where adults seemed to have no influence.

Homer's children, like the ones depicted in Snap the Whip , can be compared to similar literary characters of the time, like Louisa May Alcott's Little Women and Mark Twain's Tom Sawyer . They are potential America, the stock from which renewal will spring in the aftermath of the Civil War: young, strong, quick-witted, practical, and without pretense. The piece can now be viewed at The Met in New York City.

2

Whistler’s Mother - 1871

Image: James McNeill Whistler, CC0, via Wikimedia Commons

James Abbott McNeill Whistler (1834-1903) was a painter mainly active during the American Gilded Age and a leading proponent of the motto "art for art's sake." Whistler’s best-known piece is a painting entitled Arrangement in Grey and Black No. 1: The Artist’s Mother . While it is a portrait of his mother, the identity of the woman, according to the artist, should be of no interest to the viewer, only the formal layout of grays and blacks.

For Whistler, art was not about moral instruction or storytelling but, instead, about formal perfection. He believed that artists should not simply replicate what they see in nature but express their emotional response to it. Art should be filled with sentiment, not sentimentality. These ideas formed the basis of the Aesthetic Movement of the 1870s and 1880s and influenced several American artists.

3

Madame X - 1884

Image: John Singer Sargent, CC0, via Wikimedia Commons

It may seem totally innocent to us today, but in the late 19th century, this piece was a true scandal. Madame X , by John Singer Sargent (1856-1925), is a portrait of Virginie Gautreau, a young woman born in New Orleans who moved to Paris after her father’s death. There, she married a wealthy man twice her age and became the talk of the town, due to her independent character and her alleged infidelities.

Virginie posed for Sargent, the world's most sought-after portrait painter of his time, and the work turned out to be as rebellious, elegant, and striking as its model. Sargent always thought that this was his masterpiece, but the public hated it. Shortly before his death, he donated the painting to the Metropolitan Museum of Art in New York, saying, "I suppose it is the best thing I have done."

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The Child’s Bath - 1893

Image: Mary Cassatt, Public domain, via Wikimedia Commons

Mary Cassatt (1845-1926) was not only one of the foremost American Impressionists but also an outstanding woman painter of the 19th century. She was raised and initially trained in Philadelphia before moving to Paris, where she befriended prolific Impressionists like Edgar Degas. However, Cassatt’s subject matter was very different from that of her French counterparts. She depicted a distinct world, drawn from her own strong family interests: sociable encounters over tea, fashionable women in theaters or drawing rooms, and mothers with their babies.

For example, The Child's Bath not only reflects Cassatt’s technical ability but also serves as a testament to her exploration of motherhood and female roles . Her approach succeeds in capturing everyday life, and the painting is remarkable for its composition and use of color. This piece, like many of her works, stands as a reminder of the value of small, deeply meaningful moments that make up culture and life in all its complexity.

5

American Gothic - 1930

Image: Grant Wood, Public domain, via Wikimedia Commons

Perhaps one of the most famous houses in America is located in Eldon, a tiny community in southern Iowa. Contrary to what one might think, no one of distinction, notoriety, or power has ever lived in this house. Its fame is owed entirely to artist Grant Wood (1891-1942), who used it in the background of his painting American Gothic .

Wood enlisted his sister Nan to pose as the woman and recruited a dentist from Cedar Rapids, B. H. McKeeby, as the man. The painting won a prize in Chicago in 1930 and was instantly catapulted to national fame. Since then, it has been reproduced and satirized by popular culture to exhaustion and is now one of the most recognizable American paintings. Wood's American Gothic honors those who settled the land and has become an iconic representation of American identity and resilience.

6

Nighthawks - 1942

Image: Edward Hopper, Public domain, via Wikimedia Commons

Edward Hopper (1882-1967) studied at the New York Institute of Art and Design and worked for many years as a magazine illustrator. Although he didn't particularly enjoy this job, it helped sharpen his compositional skills. Thanks to these influences, Hopper's work has come to typify the American Realism movement. His paintings convey the sense that the events depicted are taking place in front of the viewer in the here and now, as seen in his famous diner scene, Nighthawks .

In this stark, impassive, realist painting, Hopper evokes a powerful sense of urban alienation, highlighting the isolation. The bright fluorescent light in the all-night diner contrasts strongly with the surrounding gloom outside and immediately transports us to a scene from a film noir movie. Exhibited at the Art Institute of Chicago, Nighthawks is considered one of Hopper's masterpieces and is worth visiting at least once in a lifetime.

7

Untitled (Violet, Black, Orange, Yellow on White and Red) - 1949

Image: chummels

Mark Rothko (1903-1970), along with Jackson Pollock, was one of the greatest representatives of American abstraction . He is best known for his color field paintings. Through his work, he sought to achieve an ambitious utopia: to express the most basic universal emotions.

When Rothko painted Untitled (Violet, Black, Orange, Yellow on White, and Red) he was arriving at a point of maturity in what was a highly nuanced and distinct visual style. He had abandoned any remaining references to recognizable imagery, and the result is a painting with a great expressive force. Rothko used to say that he preferred to paint large pictures because he wanted to be very intimate and human. In this work, he achieves this immersion entirely through his sensitive use of color.

8

Autumn Rhythm (Number 30) - 1950

Image: Simi Iluyomade

Jackson Pollock (1912-1956) was a leading figure in Abstract Expressionism and is best known for his "drip technique." Pollock's drip method entailed placing a canvas on the floor and then dripping, pouring, and at times throwing paint over its surface. Although his technique appeared to favor chance, the artist stressed that everything in his paintings was fully intentional.

One of his most emblematic works is Autumn Rhythm (Number 30) , which is currently on display at the Metropolitan Museum of Art in New York. If you ever have the chance to see this piece in person, know that Pollock believed contemplation of his paintings allowed the viewer to access personal and unconscious responses to the modern world. As Pollock advised, the viewer should look passively and "try to receive what the painting has to offer."

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Twenty Marilyns - 1962

Image: pvdberg

Andy Warhol (1928-1987) started making paintings of Marilyn Monroe shortly after her death. He used a black and white publicity photograph taken by Gene Korman for the 1953 movie Niagara to create a stencil for silk-screen printing, a technique he had adopted for transferring photographic images to canvas. Over the course of four months, Warhol created more than twenty works based on the Korman photograph.

What Warhol called the "assembly line effect" of the repeated image aimed to criticize the supposed uniqueness of the work of art in a world of mass reproduction and mass media. Yet, the repetitive Marilyns are full of small variations, as the paint is applied by hand. Twenty Marilyns is such an iconic work of American art history that, in a 2004 article published in The Guardian , it was named the third most influential piece of modern art in a survey of 500 artists, critics, and other members of the art world.

10

Whaam! - 1963

Image: Eric Koch, CC0, via Wikimedia Commons

Apart from Andy Warhol, perhaps the greatest exponent of American Pop Art is Roy Lichtenstein (1923-1997). Lichtenstein was mainly drawn to action and true romance comic strips. Through his depictions of fighter pilots and tearful drowning damsels, he drew attention to the constructed nature of gender roles. Lichtenstein's exaggeration of these gender stereotypes in comic book characters led some critics to recognize his paintings as true works of art.

Whaam! , based on a comic book panel published by DC Comics in 1962, is Lichtenstein's witty and irreverent reaction to the contemporary popularity of Abstract Expressionism. With this piece, the artist attempted to deflate that movement's pomposity by presenting pictorial subject matter based on what was regarded as crass commercial art. Since Whaam! , Lichtenstein was viewed by the public eye as the ultimate American master of Pop Art.