1

Pancakes

Image: Ala

Imagine you are a tourist in Michigan and decide to go for pancakes. You enter a suitable establishment, sit at the counter, and ask… what, exactly? Yes, most people call them pancakes, and there is a fair chance that you will receive just that without further questions, but if you want to speak like a local, you will ask for flapjacks .

The "flap" part of flapjack is derived from the word the British used to mean "flip." As for the "jack" part, historians say it may refer to the small size of the pancake because "jack" referred to something that was small. You’ll hear pancakes more in the North and flapjacks in the South, but there are exceptions, such as the Flapjack Shack in Traverse City, Michigan.

2

Dessert Toppings

Image: Kate Trysh

For many Americans, dessert toppings for ice creams and milkshakes are like cheese on a pizza: a must. If you happen to be one of them and are visiting New England, you should know that the local word for toppings is " with jimmies. "

Jimmies are a subgroup of the larger category of dessert toppings known as sprinkles, although people across the U.S. might use the terms interchangeably. Jimmies are cylindrical sprinkles, but some people use the word to refer specifically to chocolate or colored varieties. As for round sprinkles, they are technically marketed as nonpareils.

3

Cold Sandwiches

Image: Allen Rad

The word "sandwich" has come to represent practically any food that is stuffed between two pieces of bread and can be eaten—usually—with your hands. But in certain regions of America, this ubiquitous food item goes by different names.

Pennsylvania has its own term: hoagie . Back in the day, the Italian-American community lived in an area called Hog Island, and local cooks were known for their big "Hog Island Sandwiches," which eventually became known as "hoagies." In New England, many people call a sandwich a grinder . That’s because it’s traditionally made from Italian bread, which has a thicker crust than the typical sandwich bread.

4

Stuffing or Dressing?

Image: Louis Hansel

In the northern parts of the U.S., stuffing refers to the thick mixture of seasoned breadcrumbs or croutons often used to fill poultry dishes.

But, in the southern parts of the country, the word used to describe that is dressing . Yes, the same word that is used in the North to describe any kind of liquid topping for salads. It can be confusing, right?

5

Pop or Soda?

Image: Taylor Swayze

Soft drinks are referred to by different names in different parts of the country. If you are on the East Coast, along the Illinois-Missouri border, in southeastern Wisconsin, California, or nearby areas, you probably call it soda .

However, if you are from the Great Plains region or the Midwest, you likely refer to it as pop . And, if you refer to it as Coke or cola —whether it’s Coca-Cola or something else—you’re most likely from the South.

6

Jelly donuts as Bismarck

Image: Leon Ephraïm

Jelly donuts are quintessentially American. These delicious pastries filled with sweet jelly are everywhere—and for good reason. However, in the midwestern region of the country, as well as in Alberta and Saskatchewan in Canada, jelly donuts have a different name altogether.

That is because the German immigrants who settled in the region named the dessert "Bismarck" after the 19th-century Prussian chancellor, Otto von Bismarck because those pastries were a favorite snack of his.

7

Milkshakes as "frappes"

Image: Sebastian Coman Photography

A milkshake and a frappe are pretty much the same thing across most of the country—and even the world, we dare say. However, that’s not the case in New England. If you were to ask for a milkshake in that area, you would receive a slightly different—but equally delicious—beverage.

Nearly everywhere else in the U.S., a milkshake is made with milk, ice cream, and syrup blended together. But in New England, that's a recipe for a frappe . A milkshake in that part of America consists of just milk and syrup, shaken or blended until a foamy head appears.

8

Casseroles as a hotdish

Image: sheri silver

A casserole is a warm dish made by layering meat, vegetables, and noodles, along with a can of condensed soup thrown into the mix and then taken to the oven. However, in Minnesota, that same recipe is called a hot dish.

According to Howard Mohr, author of How to Talk Minnesotan , "A traditional main course, hotdish is cooked and served hot in a single baking dish and commonly appears at family reunions and church suppers."

9

Poached Egg vs. Dropped Egg

Image: Unsplash

New England has appeared a couple of times already on this list, and it’s about to make another appearance. In most parts of the country, the cooking technique of gently dropping an egg into boiling water is called "poaching an egg."

But in New England, the name for this technique has a much more literal term, calling this particular preparation a dropped egg .

10

Peppers and Mangoes

Image: Paul Morley

We’ll close this list with perhaps the most curious case of regional naming we came across. In the Midwestern region of the country, a "mango" does not refer to the tropical fruit commonly known as a mango.

Instead, if a midwesterner asks for a mango at a local grocery store, they will receive a mild, green bell pepper . The suggested explanation for this is that as green bell peppers ripen, they develop red-gold splotches that make them look similar to mangos.

1

The mythical "Kill Bill Vol. 3"

Image: Til Man

Ah, yes, the revenge of the revenge. Quentin Tarantino has been teasing Kill Bill Vol. 3 for nearly two decades. He’s talked about giving the character of Nikki time to grow up and take center stage in the third installment, even floating the idea of casting Zendaya or another grown-up actress in the role.

But as of now? It’s all smoke and samurai swords. Tarantino claims he has one more film left in him, and every fan theory points to Vol. 3 as the final strike.

2

The loaded history of "The Man Who Killed Don Quixote"

Image: Iuliia Dutchak

Johnny Depp and Jean Rochefort were originally set to take the leads, battling windmills as Cervantes’ mad knight and his companion. But this is another case of a film that seemed hexed.

Terry Gilliam first attempted the project in 2000, but many disasters ensued. Health issues, floods that wrecked the sets, and insurance company failings led to the project's dramatic collapse. In 2018, Gilliam finally released a version starring Adam Driver and Jonathan Pryce. But fans agree—it wasn’t that version.

3

Kubrick’s "Napoleon"

Image: Nicolas HIPPERT

The holy grail of unmade epics. Stanley Kubrick devoted years to this project—allegedly reading over 500 books, creating a card catalog of Napoleon’s daily life, and scouting locations across Europe.

He wanted Jack Nicholson in the lead and even planned to use actual armies to stage the battles. MGM said yes… then said nope. The budget was colossal, and Kubrick ultimately shelved it. Though he carried the idea to his grave, the script survived. Steven Spielberg has since talked about adapting it into a miniseries.

4

The irony of "Superman Lives"

Image: Yogi Purnama

Superman Lives was meant to reboot the Man of Steel, with Tim Burton at the helm and Nicolas Cage sporting long black hair and a glow-in-the-dark suit.

But after years of rewrites, studio shake-ups, and ballooning budgets, the whole thing collapsed under its own weight. Though it was never filmed, test footage of Cage in costume became internet legend. And if you really want the full story, the documentary The Death of Superman Lives: What Happened? is the way to go.

5

Jodorowsky’s "Dune"

Image: Francisco Gomes

Alejandro Jodorowsky’s Dune was meant to be a 10-hour odyssey, starring Salvador Dalí as the Emperor, Orson Welles as Baron Harkonnen, and featuring music by Pink Floyd. Yes, really.

However, as one can imagine, the budget grew past sanity. No studio could afford Jodorowsky’s vision. The 2013 documentary Jodorowsky’s Dune explores how this unmade film went on to influence countless others—from Star Wars to Blade Runner .

6

The true "The Thief and the Cobbler"

Image: Fabian Centeno

Richard Williams, the man behind Who Framed Roger Rabbit , spent nearly three decades working on _The Thief and the Cobbler_—a painstakingly hand-drawn masterpiece, inspired by Persian art and silent comedy.

However, by the 1990s, delays and mounting costs led the studio to reconsider its decision. The film was recut, rewritten, and released under various titles, with added songs and jarring voice-overs. The truth is, the original version was never fully completed.

7

The cursed "Blood Meridian"

Image: Erik

So many doomed attempts have been made that Cormac McCarthy’s brutal novel is often labeled "unfilmable." Blood Meridian is a violent fever dream, soaked in sun and sand—which might sound easy to bring to the screen.

Ridley Scott tried. So did James Franco and Todd Field. But each version was ultimately abandoned. In 2024, New Regency announced a new adaptation was in the works. As of now, however, it still seems cursed— Blood Meridian remains untouched by the screen.

8

Orson Welles’ "The Other Side of the Wind"

Image: Andre Moura

Yes, a version was released by Netflix in 2018… but it wasn’t quite what its director originally envisioned.

Orson Welles began shooting The Other Side of the Wind in the early ’70s, imagining a satirical, semi-autobiographical tale about a fading director staging a comeback. But financial chaos, legal snarls, political drama, and even missing reels meant that Welles never lived to finish it.

9

"At the Mountains of Madness" featuring Tom Cruise

Image: Balazs Busznyak

Imagine Tom Cruise battling ancient, brain-melting monsters in Antarctica—based on H.P. Lovecraft’s most mind-bending novella. Now picture Guillermo del Toro directing that nightmare in IMAX 3D. So what happened? It’s not entirely clear, though budget concerns likely played a role. You never know, though. Del Toro has shared some original concept art and designs that just might be revived someday.

10

The Rat Pack’s "The Rogues"

Image: Brice Cooper

A film called The Rogues , starring the Rat Pack, appears in fan lore and anecdotal sources—though there’s little documented proof. Frank Sinatra. Dean Martin. Sammy Davis Jr. The Rat Pack was Hollywood’s smoothest syndicate, both on and off-screen.

In the mid-’60s, they began filming The Rogues , a heist flick in the spirit of Ocean’s 11 . But egos clashed, schedules frayed, and the project derailed mid-production, as legend has it.

1

Snap the Whip - 1872

Image: Winslow Homer, CC0, via Wikimedia Commons

Winslow Homer was a self-taught artist from Boston, best known for his Civil War paintings, which he created at the request of Harper's Weekly magazine. But after the war, Homer moved to a totally different subject matter: childhood. The artist painted the life of American children as a world unto itself, where adults seemed to have no influence.

Homer's children, like the ones depicted in Snap the Whip , can be compared to similar literary characters of the time, like Louisa May Alcott's Little Women and Mark Twain's Tom Sawyer . They are potential America, the stock from which renewal will spring in the aftermath of the Civil War: young, strong, quick-witted, practical, and without pretense. The piece can now be viewed at The Met in New York City.

2

Whistler’s Mother - 1871

Image: James McNeill Whistler, CC0, via Wikimedia Commons

James Abbott McNeill Whistler (1834-1903) was a painter mainly active during the American Gilded Age and a leading proponent of the motto "art for art's sake." Whistler’s best-known piece is a painting entitled Arrangement in Grey and Black No. 1: The Artist’s Mother . While it is a portrait of his mother, the identity of the woman, according to the artist, should be of no interest to the viewer, only the formal layout of grays and blacks.

For Whistler, art was not about moral instruction or storytelling but, instead, about formal perfection. He believed that artists should not simply replicate what they see in nature but express their emotional response to it. Art should be filled with sentiment, not sentimentality. These ideas formed the basis of the Aesthetic Movement of the 1870s and 1880s and influenced several American artists.

3

Madame X - 1884

Image: John Singer Sargent, CC0, via Wikimedia Commons

It may seem totally innocent to us today, but in the late 19th century, this piece was a true scandal. Madame X , by John Singer Sargent (1856-1925), is a portrait of Virginie Gautreau, a young woman born in New Orleans who moved to Paris after her father’s death. There, she married a wealthy man twice her age and became the talk of the town, due to her independent character and her alleged infidelities.

Virginie posed for Sargent, the world's most sought-after portrait painter of his time, and the work turned out to be as rebellious, elegant, and striking as its model. Sargent always thought that this was his masterpiece, but the public hated it. Shortly before his death, he donated the painting to the Metropolitan Museum of Art in New York, saying, "I suppose it is the best thing I have done."

4

The Child’s Bath - 1893

Image: Mary Cassatt, Public domain, via Wikimedia Commons

Mary Cassatt (1845-1926) was not only one of the foremost American Impressionists but also an outstanding woman painter of the 19th century. She was raised and initially trained in Philadelphia before moving to Paris, where she befriended prolific Impressionists like Edgar Degas. However, Cassatt’s subject matter was very different from that of her French counterparts. She depicted a distinct world, drawn from her own strong family interests: sociable encounters over tea, fashionable women in theaters or drawing rooms, and mothers with their babies.

For example, The Child's Bath not only reflects Cassatt’s technical ability but also serves as a testament to her exploration of motherhood and female roles . Her approach succeeds in capturing everyday life, and the painting is remarkable for its composition and use of color. This piece, like many of her works, stands as a reminder of the value of small, deeply meaningful moments that make up culture and life in all its complexity.

5

American Gothic - 1930

Image: Grant Wood, Public domain, via Wikimedia Commons

Perhaps one of the most famous houses in America is located in Eldon, a tiny community in southern Iowa. Contrary to what one might think, no one of distinction, notoriety, or power has ever lived in this house. Its fame is owed entirely to artist Grant Wood (1891-1942), who used it in the background of his painting American Gothic .

Wood enlisted his sister Nan to pose as the woman and recruited a dentist from Cedar Rapids, B. H. McKeeby, as the man. The painting won a prize in Chicago in 1930 and was instantly catapulted to national fame. Since then, it has been reproduced and satirized by popular culture to exhaustion and is now one of the most recognizable American paintings. Wood's American Gothic honors those who settled the land and has become an iconic representation of American identity and resilience.

6

Nighthawks - 1942

Image: Edward Hopper, Public domain, via Wikimedia Commons

Edward Hopper (1882-1967) studied at the New York Institute of Art and Design and worked for many years as a magazine illustrator. Although he didn't particularly enjoy this job, it helped sharpen his compositional skills. Thanks to these influences, Hopper's work has come to typify the American Realism movement. His paintings convey the sense that the events depicted are taking place in front of the viewer in the here and now, as seen in his famous diner scene, Nighthawks .

In this stark, impassive, realist painting, Hopper evokes a powerful sense of urban alienation, highlighting the isolation. The bright fluorescent light in the all-night diner contrasts strongly with the surrounding gloom outside and immediately transports us to a scene from a film noir movie. Exhibited at the Art Institute of Chicago, Nighthawks is considered one of Hopper's masterpieces and is worth visiting at least once in a lifetime.

7

Untitled (Violet, Black, Orange, Yellow on White and Red) - 1949

Image: chummels

Mark Rothko (1903-1970), along with Jackson Pollock, was one of the greatest representatives of American abstraction . He is best known for his color field paintings. Through his work, he sought to achieve an ambitious utopia: to express the most basic universal emotions.

When Rothko painted Untitled (Violet, Black, Orange, Yellow on White, and Red) he was arriving at a point of maturity in what was a highly nuanced and distinct visual style. He had abandoned any remaining references to recognizable imagery, and the result is a painting with a great expressive force. Rothko used to say that he preferred to paint large pictures because he wanted to be very intimate and human. In this work, he achieves this immersion entirely through his sensitive use of color.

8

Autumn Rhythm (Number 30) - 1950

Image: Simi Iluyomade

Jackson Pollock (1912-1956) was a leading figure in Abstract Expressionism and is best known for his "drip technique." Pollock's drip method entailed placing a canvas on the floor and then dripping, pouring, and at times throwing paint over its surface. Although his technique appeared to favor chance, the artist stressed that everything in his paintings was fully intentional.

One of his most emblematic works is Autumn Rhythm (Number 30) , which is currently on display at the Metropolitan Museum of Art in New York. If you ever have the chance to see this piece in person, know that Pollock believed contemplation of his paintings allowed the viewer to access personal and unconscious responses to the modern world. As Pollock advised, the viewer should look passively and "try to receive what the painting has to offer."

9

Twenty Marilyns - 1962

Image: pvdberg

Andy Warhol (1928-1987) started making paintings of Marilyn Monroe shortly after her death. He used a black and white publicity photograph taken by Gene Korman for the 1953 movie Niagara to create a stencil for silk-screen printing, a technique he had adopted for transferring photographic images to canvas. Over the course of four months, Warhol created more than twenty works based on the Korman photograph.

What Warhol called the "assembly line effect" of the repeated image aimed to criticize the supposed uniqueness of the work of art in a world of mass reproduction and mass media. Yet, the repetitive Marilyns are full of small variations, as the paint is applied by hand. Twenty Marilyns is such an iconic work of American art history that, in a 2004 article published in The Guardian , it was named the third most influential piece of modern art in a survey of 500 artists, critics, and other members of the art world.

10

Whaam! - 1963

Image: Eric Koch, CC0, via Wikimedia Commons

Apart from Andy Warhol, perhaps the greatest exponent of American Pop Art is Roy Lichtenstein (1923-1997). Lichtenstein was mainly drawn to action and true romance comic strips. Through his depictions of fighter pilots and tearful drowning damsels, he drew attention to the constructed nature of gender roles. Lichtenstein's exaggeration of these gender stereotypes in comic book characters led some critics to recognize his paintings as true works of art.

Whaam! , based on a comic book panel published by DC Comics in 1962, is Lichtenstein's witty and irreverent reaction to the contemporary popularity of Abstract Expressionism. With this piece, the artist attempted to deflate that movement's pomposity by presenting pictorial subject matter based on what was regarded as crass commercial art. Since Whaam! , Lichtenstein was viewed by the public eye as the ultimate American master of Pop Art.